The IJPC Journal is an online academic journal that adheres to the highest standards of peer review. Its purpose is to further the mission of the
Image of the Journalist in Popular Culture Project to investigate and analyze, through research and publication, the conflicting images of journalists in every aspect of popular culture, from film, television, radio, fiction, commercials, cartoons and comic books to music, art, humor and video games demonstrating their impact on the public's perception of journalists.
Volume 10 - Fall 2021 - Fall 2022
Table of Contents
| Introduction |
Abstract
|
|
Laura Castañeda, Richard R. Ness, Joe Saltzman, Matthew C. Ehrlich |
pp.i-ii |
Special Section: The Image of the Sports Journalist in Popular Culture
| Real to Reel: The Image of the Sports Journalist in Film |
Abstract
|
|
Daniel T. Durbin |
pp.1-16 |
| Contemporary "Blue Chips:" A Critical Analysis of a Sports Journalist’s Approach to the Scandals Surrounding College Athletics |
Abstract
|
|
Brock Adams |
pp.17-41 |
| Symbols of Hope, Affirmation, and Perseverance - A Semiotics Analysis of Journalist, Harry Kingsley, from The Disney Classic Movie, "Iron Will" |
Abstract
|
|
James L. Cartee III |
pp.42-62 |
| The Black Radical Sports Writing Tradition: Challenging the Ontological Impossibility of the Black Sports Journalist |
Abstract
|
|
Ben Carrington |
pp.63-93 |
| In Search of the Female Sportswriter: A Mass Communication Mystery |
Abstract
|
|
Donna L. Halper |
pp.94-106 |
| The Image of the Sport Journalist in Novels |
Abstract
|
|
Alan Tomlinson |
pp.107-130 |
| The Image of the Sportswriter in Television |
Abstract
|
|
Chad Painter |
pp.131-151 |
| Trent Crimm, The Independent: The Image of the Journalist in Ted Lasso |
Abstract
|
|
Julianna Kirschner |
pp.152-168 |
| Writer-Director Ron Shelton on the Image of the Sports Journalist in Popular Culture |
Abstract
|
|
Jeff Fellenzer |
pp.169-175 |
Articles
| Exploring Representation of Journalism and the Free Press Myth in Flemish and International Fictional Movies and Series |
Abstract
|
|
Maxine De Wulf Helskens, Sarah Van Leuven, Frederik Dhaenens |
pp.176-212 |
